By 1888, Jewish firms controlled almost three-fourths of the US market for raw tobacco and were even better represented as manufacturers of finished cigars. Of the 65 members composing the National Cigar Manufacturers’ Association that year, 45 were Jewish. For their part, it appears that Jewish factory owners were not active in insurrectionary efforts against the Spanish colonists: Their success depended upon relationships with Spanish tobacco growers in occupied Cuba, as well as a multiracial workforce of Cuban-born Spanish subjects who labored in their Key West factories. Indeed, at least one Jewish manufacturer, Samuel Seidenberg, earned the bitter enmity of the insurrectionists of the 1890s when he sought to replace striking workers at his factory with Spaniards.
But, following a devastating fire on the island in 1886, a new generation of Jewish immigrants began arriving in Key West—a generation that had fled the pogroms and persecutions of Europe and had little in common with the Jewish cigar manufacturers who preceded them. The manufacturers were older, more secular, and far wealthier than the new peddlers and shopkeepers, who were younger and hungrier, with less to lose and more to gain, and with the bitter taste of their most recent exile still fresh. Many of Key West’s Jews frequented the neighborhood called El Barrio Gato, where Cuban cigar rollers, Eastern European Jewish merchants, and freed slaves lived alongside rich and powerful Cubans like military general Serafín Sánchez and the neighborhood’s namesake, cigar manufacturer Eduardo Gato himself. José Martí would lodge in this neighborhood during his visits to Key West.
The sympathies that developed between the Jewish and Cuban communities in Key West were rooted in similar political plights. The island 94 miles south of Key West was still a colony of the Spanish Empire. Native-born Cubans were denied fundamental rights readily afforded to Spanish citizens. White Cubans were not allowed to own property, nor have any say in government; Black and mixed-race Cubans were regarded as property themselves, confined to the tobacco plantations where they were enslaved by the Spanish ruling class. Jews from the likes of Russia or Romania during the same period had not been allowed to own land or work in professions of their own choosing. Many Jews also saw Spain as an enemy of the Jewish people, since its persecution of the Jews under the Inquisition had continued until 1834, an era within living memory for the elders of the community, which contributed to a shared hatred for the Spanish Empire among the Cubans and the Jews of Key West.
This affinity was reflected in the writing of Martí, who helped reenergize the on-again, off-again movement for Cuban independence in the 1890s. A poet and journalist by trade, Martí was an acute observer of the human migrations of the late 19th century, and his reportage displays a particular sensitivity to the Jewish plight: “These are grave times for the Jews,” he wrote in early 1882, as the “May Laws” of Tsar Alexander III, which curtailed the freedoms of Jews and encouraged mob violence from ethnic Russians, began to be enforced. “They have been expelled from Russia, and they are chased through the countryside like wild animals.” He reported approvingly on a protest gathering in New York, where Americans had assembled to denounce the Russian actions as “a crime against humanity that should appall all peoples and grieve the heavens.” In his internationally syndicated Spanish-language column, he pleaded with his readers to hear “the anguished cries of the followers of Moses.”
Martí’s political genius lay in his ability to capitalize on the sense of exile as a unifying force, and to propose a transformative vision of salvation through battle. In this regard, his eloquent expression of the exile experienced by many Cubans was often framed in explicitly Jewish terms. “We are Jews in point of fortune,” Martí wrote, “and we hope always for a Messiah who never comes.” He was a student of Jewish history during his university studies in Spain, where he became proficient in basic Hebrew. In the story of the Maccabees, who successfully fought under Mattathias for Judean independence from the Seleucids, Martí saw a model for the successful insurrection he hoped to lead: a rebel army that overcame powerful rulers through a successful guerrilla campaign. And in contemporary Jews, he found examples of the fortitude and commitment that such a revolution would require: “From their religion, the Jews make their homeland . . . They still feel that ardor which led their ancestors to take shelter under the banner of Mattathias . . . [and] to spread out like the angry sea over plains and mountains.” Even as he portrays the never-ending disappointment of exile, and the fruitless wandering in search of an absent Messiah, Martí is never far from posing a solution: “There is only one way to see the Messiah come, and that is to sculpt him with your own hands.”